The Book Review’s art director on the edgiest, catchiest, most creative book jackets of the year. Credit... Supported by By Matt Dorfman Recently, a friend who works outside of publishing described ...
It’s bold. It’s restrained. It’s graceful. It’s terrifying. It feels inevitable, yet it’s startling. There’s no easy way to describe the cover for Salman Rushdie’s Knife, which is why it’s one of the ...
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