While this might not be true as a blanket statement, it’s pretty much the standard sentiment these days: audio isn’t that fun. At least when compared to video and cinematography. Audio is often an ...

You might think that, for an audio engineer, recording a vocalist as capable of Beyoncé would be relatively straightforward, but it turns out that it presents its own unique set of challenges.

Looking to pick up one of the new value-priced (hehe) stereo tube preamp modules meant to be used as processors or DI boxes. I'm producing ambient and aggressive electronic music on Cubase SX, piped ...