Extracted from: Neil MacLaren; revised and expanded by Christopher Brown, The Dutch School 1600–1900 (London: National Gallery Publications Limited, 1991).

Of the Gallery’s 27 works by women, one-third have been acquired because of these acts of generosity. Most recently, The Full ...

Join us for this early access introduction to ‘ Siena: The Rise of Painting 1300 ‒1350 ’. This exhibition brings to life the ...

These catalogue entries are the result of a pilot project to set up a process that takes the desktop publishing files that were sent to press, converts them to a more flexible digital format, and ...

This large canvas was probably painted in the late 1650s. 1 Cuyp’s patrons, like those of his father, the portrait painter Jacob Gerritsz. Cuyp, appear to have been members of the regent families of ...

The landscape on the left is in the manner of Jan Wijnants. No. 1383 is painted in the meticulous technique of Vermeer’s late years. It has been dated by both MacLaren and Blankert 6 to c. 1670.

The introductory essay considers the attitude of eighteenth-century Britons to the French and to paintings by French contemporaries, and notes many of the French eighteenth-century paintings then ...

'The Finding of Moses’ depicts an Old Testament story. This monumental painting was commissioned by King Charles I and Henrietta Maria to celebrate the arrival of their first son. Two kings, of ...

These catalogue entries are the result of a pilot project to set up a process that takes the desktop publishing files that were sent to press, converts them to a more flexible digital format, and ...

Young Man holding a Skull Neil MacLaren, revised and expanded by Christopher Brown, 1991. Ext ...

These catalogue entries are the result of a pilot project to set up a process that takes the desktop publishing files that were sent to press, converts them to a more flexible digital format, and ...

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