Superposition Harmonique V7 par bVI7 PIANO Clody448 Dans mon approche, j'utilise essentiellement une technique d'harmonisation à deux niveaux. La main gauche joue toujours l'accord V7, alors que la main droite introduit une couche d'harmonisation supplémentaire avec le bVI7. Cette approche peut en effet garder l'harmonie de base intacte tout en ajoutant une nouvelle couleur harmonique avec le bVI7. Cela peut être un excellent moyen d'enrichir l'harmonie sans créer de confusion pour le chanteur o
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Superposition Harmonique V7 par bVI7 PIANO Clody448 Dans mon a…
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